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Mural Paintings
Kerala's murals are on par with those at Sittanavasal, Badami,
Lepakshi, Tanjavur, and Vijayanagar. In fact, there are similarities
between the styles of Kerala and the murals of Sittanavasan and
Lepakshi. Kerala's mural tradition reached its apogee between the
16th and 19th Centuries. Though there is not much documentary
evidence, experts have classified the murals into three phases, just
as they have classified its temple architecture — early (800-1000
A.D.), middle (1001-1301), and late (1301-1800). In the last phase,
with the incorporation of wood carvings and paintings on temple
walls, a balance was forged between architecture and decorative art.
The traditional mural paintings were done only in five colours —
yellow, red, green, black, and white. White was the base itself and
the remaining were pigments derived from stones and leaves. The
walls themselves underwent an elaborate preparatory process and
there are instances of murals still glowing after 1,500 years.
The paintings, usually on the walls of the sanctum sanctorum,
depicted deities from the Hindu pantheon. While the human figures
were highly stylised, animals and birds were painted in more
naturalistic postures. Such stylised facial expression and gestures
trace their origin to the theatrical elements in the performing arts
of Koodiyattam and Kathakali. Wide-open, round eyes, elongated
painted lips, exaggerated eyebrows, dramatic body postures, and
over-ornamentation are typical of the mural paintings.
Handicrafts
An old time industrial art is bell metal casting. One famous product
is the Aranmula polished metalmirror, made of an alloy of copper and
tin. Aranmula a small village in KERALA is renowned for making a
wonderful type of Metal Mirror called 'Aranmula Kannadi'. This
unique metal mirror of Aranmula, reflects a rich cultural as well as
metallurgical heritage of a golden past in the history of Kerala.
The British Museum in London keeps an eighteen inch tall Aranmula
Metal Mirror, which speaks of its uniqueness. The origin of the
metal mirrors of Aranmula is closely laced with the Aranmula
Parthasarathy Temple.The legend has it that eight families of
experts in temple arts and crafts were brought by the royal chief to
Aranmula from Tirunelveli district in connection with certain works
in the Parthasarathy temple centuries ago. There are only a few
families in the world who practice the art of making Metal Mirrors.
Some undisclosed metals are alloyed with copper and tin to cast the
Metal Mirror. The polishing can go on for one to two days so as to
achieve highly reflective surfaces.
In woodcraft, apart from the temple art tradition, kathakali models
and accessories, weaving of mats, baskets, coir matting figure among
it's handicrafts. Since the ban on ivory trade, Kerala's ivory
carvings, especially that of the snake boat are now made of buffalo
horn.
Kerala is also known for it's jewellery. Designs range from the
elaborate and exquisite to the simple and functional. The Nagapadam
or serpent-hood pendant was originally used by Nair women.
Namboodiri women wore the cherutali necklace and Tamil Brahmin
women, the oddiyanam waist-chain. Christian women wore the Mekka
Mothiram. Though relegated to history, contemporary goldsmiths still
draw inspiration from them for their designs.
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